The World of Khalil Gibran Collection 1971

Summary
Contents
Names/subjects
Using these materials
Creator
Gibran, Kahlil, 1883-1931
Size
0.2 linear feet (1 folder); 5.08 gigabytes (51 files)
Call number
KC 0057
Access to materials

This collection is open for research and contains digital material. Digital material in this collection is provided on the Khayrallah Center Archive’s website for non-commercial research, scholarly, or other educational purposes pursuant to U.S. Copyright Law.

Physical material in this collection is also available to researchers. Physical access to materials requires 48 hours advance notice. For more information contact us via mail, phone, or our web form.

Language

Materials in this collection are in English and Arabic.

Biographical/historical note

Gibran Khalil Gibran (1883-1931), or Khalil Gibran, was born on January 6, 1883 in Bsharri to a Maronite Christian Family. In 1895, he immigrated with his mother and younger siblings to the United States and his name was Anglicized to Kahlil Gibran. He attended a public school in Boston, Quincy School, and took drawing classes at Denison House. While there he eventually met the Boston artist, photographer, and publisher Fred Holland Day, who used Gibran as a subject in his photographs. Day became Gibran’s first patron, supporting his creative education.

Gibran returned to Lebanon to attend the Collège de la Sagesse in Beirut from 1898-1902. Following his return to Boston, Gibran’s artwork is first publicly shown in an exhibit at Wellesley College due to the efforts of Bostonian poet and dramatist Josephine Preston Peabody (1874-1922). During this time, he was supported by his sister Marianna and her work at a dressmaker’s shop. At his first solo exhibition in Day’s studio in 1904, Gibran met Mary Haskell (1873-1964), an educator and principal at a girl’s school in Boston who became one of his lifelong supporters and patrons. Gibran also met Amin al-Ghurayyib that same year, who was editor of the Arab American periodical Al-Mohajer (The Immigrant). Gibran’s first writing, "A Profile of the Art of Music," was published in 1905 in Al-Mohajer. Through his work with the newspaper, Gibran developed his unique style and voice which reflected influences from the informal language of rural Lebanon, Boston’s South End, and Syriac.

Haskell’s financial support enabled Gibran to attend Académie Julian in Paris, France to study art in 1908. He left the academy the following year to study with the French Symbolist painter Pierre Marcel-Béronneau (1869–1937). While in Paris, Gibran became acquainted with Syrian politics through involvement with the New York-based journal Mir’āt al-Gharb (Mirror of the West) and Lebanese American intellectual and political activist Ameen Rihani, who informed Gibran’s views on Arab Nationalism. After returning to Boston in 1910 and establishing a studio in New York, he joined the Boston chapter of the Golden Links Society, an Arab American intellectual and literary society.

Gibran published many books of poems, novellas, drawings, and short stories throughout his career. Gibran's best-known work, The Prophet, was published in 1923 and was informed by Gibran's meeting with Abdu'l-Baha (1844-1921), then leader of the Baha'i faith. He also contributed to multiple Arab American periodicals, including Al-Funūn and Al-Mohajer, as well as an Egyptian cultural and literary magazine Al-Hilal. In 1920, Gibran re-formed The Pen League, an Arab-American Mahjar literary group, with its original founders Nasib Arida and Abd al-Masih Haddad.

Scope/content

The World of Kahlil Gibran Collection is a selection of excerpts, drawings, and manuscripts of Kahlil Gibran that was produced and edited by Farid Salman and Elaine Gebara, and issued by the Gibran National Committee on August 13, 1971.

The collection includes a brochure on Gibran and his hometown of Bcharre, reproductions of his art, and letters and manuscripts written by Gibran.

Arrangement

This collection is arranged in the order it was received.

Use of these materials

The donor retains full ownership of any copyright and rights currently controlled. Nonexclusive right to authorize uses of these materials for non-commercial research, scholarly, or other educational purposes are granted to Khayrallah Center pursuant to U.S. Copyright Law. Usage of the materials for these purposes must be fully credited with the source. The user assumes full responsibility for any use of the materials.

Preferred Citation

[Identification of item], The World of Khalil Gibran Collection, KC 0057, Hoda Z. Nassour and Herbert R. Nassour Jr., MD, Archive of Lebanese Diaspora

Related material

Source of acquisition

Gift of Robert Sarofeen, 2021 July (Accession No. 2021.002).

Processing information

Processed by Nay Ackhar, 2022, and Sarah Bernstein, 2023. Finding aid created by Sarah Bernstein, 2023 October.

Please note that some historical materials may contain harmful content and/or descriptions. Learn how we’re addressing it.
Brochure "Lebanon, Becharre: Town of Kahlil Gibran, Author of 'The Prophet'" 1973 (Accession 2021.002)
legalhalfbox 2, Folder 4
Nude Figure Drawings by Kahlil Gibran 1905 May 24 (Accession 2021.002)
legalhalfbox 2, Folder 4
Face Drawings by Kahlil Gibran 1905 May 24 (Accession 2021.002)
legalhalfbox 2, Folder 4
National Committee of Gibran Letter in Arabic, 1971 Aug 13 1971 Aug 13 (Accession 2021.002)
Language of materials
Materials in Arabic (Arabic)
legalhalfbox 2, Folder 4
National Committee of Gibran Letter in English, 1971 Aug 13 1972 Aug 13 (Accession 2021.002)
legalhalfbox 2, Folder 4
English Letter from Kahlil Gibran, 1916 May 16 1916 May 16 (Accession 2021.002)
legalhalfbox 2, Folder 4
Arabic Letter from Kahlil Gibran, 1921 1921 (Accession 2021.002)
Language of materials
Materials in Arabic (Arabic)
legalhalfbox 2, Folder 4
Photograph of Kahlil Gibran's village Bisharri, Lebanon 1971 (Accession 2021.002)
legalhalfbox 2, Folder 4
Photograph of Kahlil Gibran's bedroom in New York 1971 (Accession 2021.002)
legalhalfbox 2, Folder 4
Photograph of a communal space in Kahlil Gibran's birthplace in Bisharri, Lebanon 1971 (Accession 2021.002)
legalhalfbox 2, Folder 4
Photograph of a bedroom in Kahlil Gibran's birthplace in Bisharri, Lebanon 1971 (Accession 2021.002)
legalhalfbox 2, Folder 4
Photograph of Kahlil Gibran's desk 1971 (Accession 2021.002)
legalhalfbox 2, Folder 4
Photograph of Kahlil Gibran's studio in New York 1971 (Accession 2021.002)
legalhalfbox 2, Folder 4
Draft of poem by Kahlil Gibran 1971 (Accession 2021.002)
Language of materials
Materials in Arabic (Arabic)
legalhalfbox 2, Folder 4
Poem, "The Blind Poet," by Kahlil Gibran 1971 (Accession 2021.002)
legalhalfbox 2, Folder 4
"The World of Kahlil Gibran" folder 1971 (Accession 2021.002)
legalhalfbox 2, Folder 4
Written prayer by Kahlil Gibran 1971 (Accession 2021.002)
legalhalfbox 2, Folder 4
"The World of Kahlil Gibran" Vinyl Record 1971 (Accession 2021.002)
legalhalfbox 2, Folder 5
"The World of Kahlil Gibran: The Prophet" Vinyl Record 1971 (Accession 2021.002)
legalhalfbox 2, Folder 5
Please note that some historical materials may contain harmful content and/or descriptions. Learn how we’re addressing it.
Please note that some historical materials may contain harmful content and/or descriptions. Learn how we’re addressing it.

Access to the collection

This collection is open for research and contains digital material. Digital material in this collection is provided on the Khayrallah Center Archive’s website for non-commercial research, scholarly, or other educational purposes pursuant to U.S. Copyright Law.

Physical material in this collection is also available to researchers. Physical access to materials requires 48 hours advance notice. For more information contact us via mail, phone, or our web form.

For more information contact us via mail, phone, or our web form.

Mailing address:
Special Collections Research Center
Box 7111
Raleigh, NC, 27695-7111

Phone: (919) 515-2273

Preferred Citation

[Identification of item], The World of Khalil Gibran Collection, KC 0057, Hoda Z. Nassour and Herbert R. Nassour Jr., MD, Archive of Lebanese Diaspora

Use of these materials

The donor retains full ownership of any copyright and rights currently controlled. Nonexclusive right to authorize uses of these materials for non-commercial research, scholarly, or other educational purposes are granted to Khayrallah Center pursuant to U.S. Copyright Law. Usage of the materials for these purposes must be fully credited with the source. The user assumes full responsibility for any use of the materials.