35 collections related to Architecture

The Brian Shawcroft Papers, 1958-2017, contain drawings and other materials documenting the professional activities of modernist architect Brian Shawcroft and associated architecture firms Holloway-Reeves; MacMillan, MacMillan, Shawcroft & Thames; Environmental Planning Associates; Shawcroft-Taylor; and McKimmon Edwards Shawcroft Associates. The collection is arranged into five series: drawings, professional files, photographic materials, project records, and slides. Drawings include original drawings, reproductions, and CAD printouts of process (or design) drawings and construction documents such as site plans, additions, alterations, and remodeling plans. Professional files include a list of completed projects, reproductions of photographs of projects, and supplemental materials to projects, Shawcroft’s curriculum vitae, and awards. Photographic materials include black-and-white and color prints and photographs of projects. Most photographs were taken by Shawcroft. Brian Shawcroft, born in England in 1929, is a modernist architect. Shawcroft studied architecture at the South West Essex Technical College and School of Art in London from 1949 to 1953. In 1960, he received a Masters in Architecture at the Massachusetts Institute of Technology. Following this, he served as an associate professor and lecturer in architecture at the North Carolina State College's School of Design from 1960 to 1968. Shawcroft began practicing architecture professionally in 1954 and worked with various firms throughout his career. He is recognized for designing much of the modernist home inventory in the Research Triangle region from the 1970s to the late 1990s. In 1991 he was awarded the annual Henry Kamphoefner Prize by the American Institute of Architects-North Carolina Chapter for demonstrated excellence in the Modern Movement of architecture. He died in 2017. Less

This collection contains architectural drawings collected from various sources by Catherine W. Bishir during her research. Some were acquired for a study of Art Deco architecture in North Carolina. The drawings are mostly blueprints or other reproductions, and they date from 1871 to 1996, although most are from the early twentieth century. Catherine W. Bishir joined the NC State University Libraries in February 2007 as Curator of Architecture Special Collections. She has had a long career in historic preservation, serving as senior architectural historian for Preservation North Carolina, senior architectural historian and architectural survey coordinator for the State Historic Preservation Office in the North Carolina Department of Cultural Resources, and adjunct professor in NC State’s School of Architecture. She was a co-founder of the Vernacular Architectural Forum. Her publications include Architects and Builders in North Carolina and North Carolina Architecture. She is Editor in Chief of the website North Carolina Architects & Builders. Less

The Charlotte Vestal Brown Wainwright Papers, 1767-1990, include correspondence, photographs, research notes, transcriptions, and blueprints. Material was gathered by Charlotte Vestal Brown Wainwright for her study of the practice of building in North Carolina between 1865 and 1945 and includes information on the administration of the grant project, photographs and manuscripts from the book written by Brown, as well as research and reference files used in the project. Less

The Edwin F. Harris Papers, 1957-2014, collection contains drawings, blueprints, maps, correspondence, photographs, and other documents related to the professional career of Edwin F. Harris. The collection reflects Harris’ work as an architect on a number of university campus planning projects and commercial building projects. During his more than two decades of employment with North Carolina State University, Harris contributed to the design and construction of many portions of the university, including Centennial Campus and the College of Veterinary Medicine. Harris also contributed to the design of several commercial buildings in North Carolina’s Research Triangle and buildings on other North Carolina university campuses. These projects include The Carolina Theatre and the North Carolina Biotechnology Center in Durham, the Worrell Professional Center at Wake Forest University in Winston-Salem, and the YMCA at Guilford College in Greensboro. Edwin F. Harris, nicknamed "Abie," was born January 7, 1934, in Elkin, North Carolina. He graduated from Elkin High School in 1952 and enrolled at the North Carolina State College, School of Design (later North Carolina State University, College of Design) to pursue a Bachelor of Arts in architecture. He graduated with honors in 1957. Harris was awarded the 45th Paris Prize in Architecture in 1958 which he used to travel to Paris, after a period of Army service. After returning from Paris, he became a lecturer at the NC State University School of Design and joined Leif Valand and Associates as an Architect-in-Training. In 1966 he was a co-founder and partner of Harris & Burns, Architects (1966-1968) and then a co-founder and principle for Envirotek, Inc. (1969-1974). In 1966, Harris also joined the campus planning department at NC State University. In 1970 he became Director of Facilities Planning and in 1980 University Architect. In addition to being an avid runner, Edwin F. Harris spent much of his spare time participating in design competitions and serving as a consultant on various projects. His honors include the grand prize in a planning competition for the University of Miami in 1986, his election as an American Institute of Architects Fellow in 1987, and the 9th Annual Frank B. Turner Award in 1991. Less

The Frank Harmon Papers, 1961-2019, document the professional activities of Harmon and his architectural firm. The collection is arranged into eight series: Project Files, Drawings, Photographs, Architectural Models, Office Files, Digital Media, Harwell Hamilton Harris Files, and Web Content. Project files include correspondence with clients. Architectural drawings include iterations of designs, as well as final construction documents. Photographs document the construction process. Article files concern Harmon’s publications. Models exist for a limited number of projects. Web content contains the official website of Harmon's firm and a Tumblr collecting sketches and other materials by Frank Harmon. Also included in the collection are architectural drawings by Harmon's close friend, architect Harwell Hamilton Harris, and files from Jean Murray Bangs Harris. Frank Harmon is a renowned modernist architect in Raleigh, North Carolina, and attended North Carolina State College of Agriculture and Engineering (later North Carolina State University) School of Design from 1959 to 1962. Later, he taught at his alma mater for more than 20 years. Born in Georgia in 1941, Harmon was raised in Greensboro, North Carolina. After attending NC State University, he went on to graduate from the Architectural Association School of Architecture in London, England, in 1967. He stayed in London for 11 years, beginning his first practice there. From 1979 to 1981, Harmon was a visiting professor at Auburn University’s School of Architecture and Fine Arts. In 1981, he established his own firm in Raleigh, North Carolina: Frank Harmon Architect. Since 1992, his firm has won more professional association design awards than any firm in North Carolina for both residential and commercial projects. In 1995, the firm was awarded the Kamphoefner Prize for innovative modern design over a ten- year period. Harmon became an American Institute of Architects (AIA) Fellow in 1988. In 2005 Residential Architect named the company Firm of the Year. Less

The G. Milton Small Papers contain architectural drawings and photographs of projects and structures designed by architect G. Milton Small between 1950 and 1981. The collection primarily consists of architectural drawings of Small's designs, many of which were constructed on the North Carolina State University campus and elsewhere in the Raleigh, North Carolina, region. The collection also contains photographs taken by architectural photographers Joseph Molitor and Holland Wright, as well as Small's writings on computerized parking systems. Two additional series were added in 2015, which include project files and specifications for some projects as well as catalogs and related materials from architectural firms. A project index to the collection is available online. G. Milton Small Jr. (1916-1992) was a student of Mies van der Rohe and was one of the foremost modernist architects working in the southeastern United States in the later half of the 20th century. Small was born in Collinsville, Oklahoma. He graduated with a bachelors degree from the University of Oklahoma in Norman, Oklahoma, and a masters from the Illinois Institute of Technology in Chicago, Illinois, where he studied under Mies van der Rohe. In Chicago he worked for the firms Perkins and Will, and Hudgins Thompson and Ball. Small relocated to North Carolina in 1948 to head the architectural office of William Henley Deitrick, at that time Raleigh's largest architectural firm and the most committed to modernist design. Small was recommended for the position by a former professor at the University of Oklahoma, Henry Kamphoefner, who was himself relocating to Raleigh to take over the deanship of North Carolina State University's new School of Design. Small headed Deitrick's office for two years, during which time he produced several important modernist designs, principally, a new clubhouse for the Carolina Country Club, which was the subject of a Life magazine article, "New Country Club" (31 July 1950. p. 70). Small started his own practice, G. Milton Small Architects, in 1949. His first design was a residence which was constructed in 1950 for Raleigh businessman Robert I. Rothstein. Less

This collection contains large-format photocopies of architectural drawings of the S. P. Alexander residence in Forest Hills, a residential district in Durham, North Carolina; and architectural blueprints of a residence in Hope Valley, a suburb of Durham, North Carolina. George Watts Carr, Sr. (1893-1975) was a Durham, N.C., architect. After heading the Durham office of architects Northup and O'Brien from 1926 to 1927, he had his own practice in the same city. He was primarily responsible for projects that his firm produced in the Durham area, especially in the Forest Hills neighborhood. Carr received honor awards from the North Carolina Chapter of the American Institute of Architects, for which he served as vice president 1936-1937. Less

The Henry Sanoff Papers contain student research project notebooks developed for a course where NC State University students attempted to create strategies for dealing with the planning problems unique to small rural communities. The Community Development Group, originally a course entitled "Model Cities Workshop," was created in 1969 to provide 5th year architecture students with a valuable real world collaborative experience. The students worked with local governmment, diverse rural populations and with the North Carolina Extension Service to develop plans and strategies of development for rural communities. The Senior Design Center (SDC) was created in 1994 to provide Computer Science seniors with a value-added capstone course resulting in a final project. The SDC provides an opportunity for companies to sponsor a particular project, resulting in a collaboration between students and private enterprise.Dr. Henry Sanoff, AIA, Distinguished Professor of Architecture at the School of Architecture at the College of Design, earned his B.A. in Architecture in 1957 and M.A. in Architecture in 1962 from the Pratt Institute in New York. He came to the NC State University School of Design in 1966. He taught courses relating to community participation, social architecture, design research, design methodology, and design programming. Sanoff has lectured around the world and in the United States at more than 85 institutions. He is widely published and has been a visiting scholar at a number of institutions around the world. Sanoff has also worked as an architectural consultant in the programming and design of children's centers. Less

The James L. Brandt Papers (1948-2012) contains files on Frank Lloyd Wright's visit to NC State in May 1950, on School of Design Dean Henry Kamphoefner, and on the Student Publication of the School of Design. It also contains biographical information about Brandt. Additional items include photographs, slides, correspondence, drawings, and other papers belonging to James Brandt. James L. (Lewis) Brandt was born in Brooksville, Mississippi, on 20 September 1926. He grew up in Washington, Durham, and Greenville, all in North Carolina, and he graduated from Greenville High School. In 1944 he enlisted in the Navy, and he was discharged in 1946. In 1948 he enrolled in the North Carolina State College School of Design, and he graduated with a B. A. in Architecture in 1951. Beginning in 1952 he worked for architect G. Milton Small. He retired professionally in 1991, and he passed away on 6 February 2012. Less

The Lee Porter Butler Papers, 1973-2019, contain 13.75 linear feet of art and architectural drawings, conceptual sketches, writings, poetry, letters, correspondence, photographs, news clippings, notebooks, design contracts and patent applications. Most of these materials document Butler's research on ekotecture, sustainable construction based on the environmental design science, and Ekose'a homes' designs. This collection also includes a vast array of writings and poems by Butler. A small number of drawings and writings belong to Butler's wife, Jill Karlin. The Lee Porter Butler Papers contain a few scrapbooks and photomontages that are only open to students and researchers above the age of 18. Lee Porter Butler (1940-2005) was a sustainability-minded architect and inventor from Tennessee who was concerned with the ecological and environmental aspects of architectural design. He attended the University of Tennessee at Knoxville, Georgia Institute of Technology, the University of Tennessee again, and lastly the North Carolina State University School of Design. In 1965, Butler started to research the concept of energy conservation in architectural design, and in late 1966, he began to build and sell homes in Knoxville, Tennessee. In 1975, Butler developed the concept of “the gravity geo-thermal envelope,” a passive solar design to heat and cool living spaces without fossil fuels. He eventually moved to California and founded the architectural company Ekose'a in San Francisco with William Randolph Pearson in 1978. Following his success in developing solar passive designs, he began teaching at the University of California Berkeley and was featured in numerous design and energy magazines and newspapers including Time, Popular Science, and Better Homes and Gardens. In the early 1980s, Butler relocated to south Florida and conceptualized "ekotecture," sustainable construction based on environmental design science with his wife Jill Karlin. During the 1990s, he expanded on the ekotecture concept and developed Ekopods, self-sustaining floating home infrastructures. Less

The Ligon Flynn Papers consists of architectural drawings, extensive project files and related architectural records. Notable projects documented in the collection include residences on Figure Eight Island, such as the Jones, Mahan, Bell, Hughes, Ellison, and Monroe houses; as well as the NC State University Student Center annex; Lower Cape Fear Hospice, St. John’s Museum of Art, and Flynn's own office at 15 S. Second St. in Wilmington, N.C. The collection also includes the notebooks of Ligon Flynn’s associate, Harold Garriss, whose seven 120-sheet spiral notebooks cover the years 1981 to 1993. Ligon Flynn (1931-2010) was born near Tryon, North Carolina. He graduated from the School of Design at what was then North Carolina State College in 1959 and taught at the School of Design from 1963 to 1967 while also in private practice. In 1969, he founded the firm of Ligon B. Flynn, Architect, in Raleigh. The firm moved to Wilmington, North Carolina in 1972. Flynn’s firm mainly designed private residences, including a number of houses on Figure Eight Island. He also worked on public buildings, including the in-patient facility for the Lower Cape Fear Hospice and Life Care Center and a number of projects at North Carolina State University. Flynn won six design awards from the North Carolina chapter of the American Institute of Architects. In 1993, he received the Kamphoefner Prize from the N.C. Architecture Foundation. In 2007, he authored a book of photographs titled Tobacco Barns. He retired in 2009. Less

The MacMillan and MacMillan Architectural Papers, 1919, 1950-2010, document the professional activities of Dan and Frank MacMillan and their architectural firm. The collection consists of architectural drawings with various iterations of designs, blueprints, construction documents, prospective elevations, technical drawings, and related materials. MacMillan and MacMillan’s projects include mostly private residences, with a small number of subdivision developments. Also included in the collection are drawings of landscape architecture projects by Richard C. Bell, done in collaboration with MacMillan and MacMillan projects. There is also a series of photographs from the period (1950-1952) in which the Dorton Arena was under construction; Dan MacMillan worked on the Dorton Arena as a project engineer for Muirhead Construction. Dan (1921- ) and Frank (d. 1991) MacMillan were born in Fayetteville, North Carolina and were principals in the MacMillan and MacMillan architectural firm. Dan MacMillan graduated from North Carolina State University in 1948 and worked for several years with the architect Jim Webb and then as a project engineer for Muirhead Construction on Raleigh’s Dorton Arena. In 1952 Dan MacMillan founded his firm, Dan MacMillan Architect and Associates in Fayetteville. After his brother, Frank, received his architecture license in the early 1950s Dan partnered with him and the firm was renamed MacMillan and MacMillan. Frank MacMillan died in 1991. The MacMillans had also partnered with other architects during their career, including Brian Shawcroft. Less

The Matthew Nowicki Drawings and Other Material contain architectural drawings and sketches, but it also includes his writings as well as biographical sketches written about Nowicki. Writings by Nowicki include a speech and several articles on architectural design. Documents written about Nowicki include newspaper and magazine articles, mostly composed after his death, and several biographical compilations of Nowicki's work. Along with Nowicki's drawings and sketches for the North Carolina State Fairgrounds and Dorton Arena, there are preliminary drawings that were done for Mayer and Whittlesey in 1950, drawings for the city of Chandigarh in Punjab, India, and a three-dimensional model of Dorton Arena. Dimensions vary with each drawing and sketch. The smallest are approximately 18 x 26 inches, the largest approximately 26 x 30 inches. Matthew Nowicki (1910-1950), born Maciej Nowicki, was a professor of Architecture and served as the acting Head of the Department of Architecture at North Carolina State College (1948-1950). He studied at the Chicago Art Institute (1922), the School of Design of Gerson-Warsaw (1925-1926), the School of Mehofer-Cracow (1927), and the Polytechnic of Warsaw (1925-1926). Nowicki was born in Chita, Russia and later married artist Stanislawa Sandeck. He designed the interiors of the Carolina Country Club in Raleigh and was a design consultant to William H. Deitrick for Dorton Arena. He also consulted on a State Archives and Museum building (unbuilt) and was a member of the design team for the headquarters of the United Nations. He died in a plane crash over Egypt in 1950 while flying back to the United States from India. Less

The Norman D. Anderson Collection on Ferris Wheels and Related Materials contains manuscript materials, newsletters, research files, photographs, postcards, and publications on Ferris wheels, amusement parks, and related subjects. The primary subject of the collection is the Ferris wheel. While the focus of the material is the Ferris wheel, there is also information relating to the history of amusement parks, amusement park preservation (or lack thereof), the amusement manufacturing industry and workers in the industry, as well as other material. Included are photographs and material about the Columbian Exposition in Chicago in 1893, as well as other World's Fairs. Dr. Norman D. Anderson is a Professor Emeritus of Science Education at North Carolina State University. In 1994 he retired after 31 years of teaching at North Carolina State University. He is a collector of materials on Ferris wheels and an ardent researcher of the Ferris wheel. Anderson authored the book Ferris Wheels: An Illustrated History, published in 1992, and he is coauthor of the 1983 children's book, Ferris Wheels as well as several science books for children. Dr. Norman Anderson produced and edited the "Ferris Wheel News." Less

The North Carolina Buildings Collection includes drawings, specifications, construction contracts, and correspondence relating to individual buildings in North Carolina. Unbuilt projects are included. The finding aid contains a description for each project, including the name of the architect(s), a brief description of the project, and an inventory of documents. Projects are arranged by type of building. The late 19th century saw radical changes in building practices in North Carolina, brought about by the rise of professional architects and contractors, increased industrialization, and the standardization of building components. Population booms between 1900 and 1940 precipitated increased construction, and suburbs emerged where major cities doubled or tripled their populations during this period. Increasingly, professional architects were responsible for the design of housing, as well as commercial, industrial and civic buildings. In 1905, North Carolina became one of the earliest states to enact a uniform building code. The North Carolina Architectural Association (NCAA) was formed by a group of Charlotte architects in 1909. Their aims were ultimately to form a North Carolina Chapter of The American Institute of Architects (AIA) and to promote the passage of an architectural Practice Act Bill in the General Assembly. The North Carolina Chapter of AIA, chartered in 1913, regulated fees to eliminate unfair competition and provided a code of ethics for professional standards. The Practice Act Bill, ratified in 1915, provided for the examination and licensing of architects. A similar "Act to Regulate the Practice of General Contracting," passed in 1925, regulated the construction industry. Regulation of architectural and building industries led to increased uniformity in working drawings and specifications for buildings, as national industry standards for drafting and construction were followed. Still largely rural and conservative following World War II, North Carolina nevertheless made rapid economic and architectural progress. The 1950s found the state on the cutting edge of architectural development, as the internationally renowned faculty of the School of Design at North Carolina State College vigorously promoted modernism as the only "correct" style. Modernism was embraced for governmental and institutional buildings, while housing remained, for the most part, rooted in traditional forms. Less

The North Carolina State University, College of Design Publications contains student, administrative, and American Institute of Architects publications. Promotional literature, product design, research, self evaluations, and a numbered series of student publications are also included, as well as CD-ROMs and zip disks of some publications. The North Carolina State University School of Design was established in 1948 with two original academic components: the Department of Architecture and the Department of Landscape Architecture. In the late 1950s the school added a third degree-granting unit, the Department of Product Design. In its early years, under the leadership of founding Dean Henry L. Kamphoefner, the School of Design experienced a remarkable period of creative and intellectual development. Designers and theorists such as Buckminster Fuller, Matthew Nowicki, Lewis Mumford, and Eduardo Catalano joined the faculty and helped build a reputation for innovation and experimentation. Frank Lloyd Wright, Mies van der Rohe, Walter Gropius, Louis I. Kahn, Pier Luigi Nervi, Charles Eames, Marcel Breuer, and numerous other internationally prominent figures came to lecture, to conduct design experiments, and to inspire a new generation of designers. The legacy of imagination, diversity, and excellence set by this first generation has continued throughout the school’s history. Less

This subgroup contains materials relating to the Home of the Month project which ran in the Raleigh News and Observer. Files include both digital and print versions of articles, entry forms, plans, and photographs. Materials range in date from 2005 to 2010. The Home of the Month project was a collaboration between the North Carolina State University College of Design’s Home Environments Design Initiative and the Raleigh News and Observer. The aims of the project were to educate and inspire the public about the benefits of good home designs, inform the public about the value architects bring to home building, support and expand ideas of what a home can be for potential homeowners, represent diversity for architecturally designed homes (in price, size, design approach, values and priorities), and support a growing residential market and residential architectural community. All of the homes selected were designed and built by North Carolina architects in or after 2000. The first article in the series was published in January 2006. Less

The records of the Office of the Dean in the College of Design of North Carolina State University include correspondence, minutes, reports relating to the administration of the College and the American Institute of Architects (AIA), courses and curricula materials, accreditation, the North Carolina Design Foundation Inc., lectures, programs, landscape architecture accreditation, the American Society of Landscape Architects accreditation, and the National Architecture Accrediting Board. The records also contain committee minutes, including the Executive Committee and the Course and Curricula Committee, which includes material on undergraduate and graduate courses. Materials collected and used by Bob Burns while writing a history of the College of Design are also present. Some born-digital materials are incorporated throughout the collection, including in the Digital and Audiovisual Materials and Web Content series. Materials range in date from 1945 to 2012. The North Carolina State University College of Design offers comprehensive study in architecture, landscape architecture, art and design, graphic design and industrial design. The College of Design admits students through a selective process that ensures a highly motivated and heterogeneous design community. The entering student body consistently ranks at the top academic achievement in the University, and its graduation rates are the highest in the institution. Less

This collection includes correspondence, memoranda, and instructional materials generated by the School of Architecture, as well as records generated by the Urban Design Program. The School of Architecture was an original component of North Carolina State University's College of Design, known at its founding in 1948 as the School of Architecture and Landscape Design. Before the Department of Architecture existed, North Carolina State College offered first a Bachelor of Architectural Engineering degree, and later, an Architecture degree, through the School of Engineering. In 1946, the board of trustees of the Consolidated University of North Carolina approved a School of Architecture and Landscape Design for State College in response to the post-World War II building boom. In 1948, the search committee hired Henry L. Kamphoefner, a University of Oklahoma architecture professor, to head the new school. Under Dean Kamphoefner, the Department of Architecture within the School of Design, as it soon came to be called, exerted broad influence on architectural design in North Carolina and the wider Southeast. In the 1960s, as architectural education began to focus more on urban and community design, the Department of Architecture established the Urban Design Program as a joint academic program with the Department of City and Regional Planning at the University of North Carolina at Chapel Hill. The name of the Department of Architecture changed to the School of Architecture in 2000, when the School of Design became the College of Design. Less