Showing 439 collections

The Albert C. Woodroof and A. C. Woodroof, Jr. Papers and Architectural Drawings document the professional activities of the two architects and their firms. The collection is arranged into five series: drawings, project files, office records, professional papers, and personal papers. The drawings series contains drawings from both Woodroof, Sr. and Woodroof, Jr., and includes floor plans, site plans, details, and elevations for a variety of projects. Project files contain correspondence, financial records, contracts and agreements, and other material relating primarily to Woodroof, Jr.’s firm. Office records contain correspondence, lists of prospective clients, personnel files, financial accounts, and promotional materials for Woodroof, Jr.’s firm. Professional papers contain general materials relating to architecture and design, such as publications from the American Institute of Architects and other professional organizations, catalogs, brochures, and clippings. Personal papers contain correspondence and financial records for both men. Materials in this collection range in date from 1927 to 1986. Albert Cecil Woodroof (1895-1986) was an architect based in Greensboro, North Carolina. Woodroof received his architectural license in 1927. He worked for several firms throughout the Southeast before opening his own firm in 1935. His projects included residences, churches, and schools. Albert Cecil Woodroof, Jr. (1920-1991) was an architect based in Greensboro, North Carolina. He received a Bachelor of Science in Commerce from the University of North Carolina in 1940. From 1948 to 1963, Woodroof worked in the architectural firm of his father, Albert C. Woodroof, Sr., first as a draftsman and later as a partner. In 1964 Woodroof, Jr. opened his own firm, and later partnered with John S. MacRae and Martin A. Senell. Woodroof’s projects include churches, schools, museums, country clubs, shopping centers, and residences, primarily in North Carolina. Less

The Alexander Isley Papers, 1967-2020, contains materials related to Alexander Isley’s childhood, schooling, and career as a graphic designer at M&Co., Spy magazine, and Alexander Isley, Inc. These materials include design sketches and drafts, final design samples, financial records, correspondence, press clippings, school records and coursework, memorabilia, and a website. Alexander Isley (1961- ) is a graphic designer from Durham, North Carolina, who, as of 2019, is creative director of Alexander Isley, Inc. He holds a degree in Environmental Design from the School of Design at North Carolina State University and a Bachelor of Fine Arts from The Cooper Union in New York City. From 1984 to 1986 he was the senior designer at the New York City design firm M&Co., then in 1987 became the first full-time art director of Spy, the New York-based satirical monthly magazine. He left Spy in 1988 to start his own design firm, Alexander Isley Inc. Isley has received several design awards, including the American Institute of Graphic Arts (AIGA) Medal in 2014. His work can be found in the permanent collections of the Museum of Modern Art, the Smithsonian Institution, and the Library of Congress. Less

The Alvin Marcus Fountain Papers, 1889-2002, contain records relating to Fountain's career at North Carolina State College (later University) as a student, faculty member, and alumnus. Although a majority of the documents relate to the university, the papers also include records describing Fountain's community involvement. A small number of the documents concern Fountain's wife Maxine and other family members. Alvin Marcus Fountain (1900-1989), was an educator, technical writer, author, and statistician. He was a member of the English faculty at North Carolina State College of Agriculture and Engineering (later North Carolina State University), 1925-1965, and developed courses in technical writing and public speaking for engineering students. Fountain received the Watauga Medal from North Carolina State University in 1985. Less

Educational publications, advertisements, informational pamphlets, correspondence, subscription forms and ephemera related to animal rights and animal welfare, especially anti-vivisection. This collection appears to originate from the West of England, with a particular focus on the Manchester area. However, the collection also contains material from throughout the United Kingdom and a few materials from the United States. Most of the material was produced and distributed by organizations such as the Royal Society for the Prevention of Cruelty to Animals, the British Union for the Abolition of Vivisection, the Animal Defence and Anti-Vivisection Society, the League for the Prohibition of Cruel Sports, National Society for the Abolition of Cruel Sports, the Victoria Street Society for the Abolition of Vivisection, and others. Also included are Catholic, Quaker, and other religious pamphlets. The collection contains items written by Frances Power Cobbe, Henry Stephens Salt, H. E. Bates, George Bernard Shaw, and H. G. Wells. Members of the Bloomsbury Group, including Virginia Woolf and Clive Bell who are listed as subscribers to some groups, are represented here. There is also material related to and designed by cartoonist and animal rights activist Cyril Kenneth Bird, who went by the pen name 'Fougasse.' The material ranges in date from the 1870s to the 1950s and includes a quantity of material from the interwar period and the era surrounding and following World War II. Although anti-vivisection and animal rights were a concern in the United Kingdom as early as the eighteenth century, the first anti-cruelty law, "The Animal Protection Act" was passed in 1822, outlawing cruelty to cattle, horses, and sheep. The Society for the Prevention of Cruelty to Anmials was formed two years later and had the distinction of being the first animal welfare society in the world, as well as the first law enforcement agency in the United Kingdom. In 1840, the Society for the Prevention of Cruelty to Animals received the support of Queen Victoria and adopted the name the Royal Society for the Prevention of Cruelty to Animals. Anti-vivisection movements increased in response to an increase in scientific and medical experimentation with mammals in the latter half of the nineteenth century. Despite the commonly held belief that animal rights reemerged as a primary concern in the 1970s, groups advocating for the rights and well-being of animals continued from the nineteeth century into the era following World War II with little stagnation. Less

The records of the Animal Welfare Institute include administrative files of both the AWI and the Society for Animal Protective Legislation (SAPL), subject files on animals the organization works to protect, files on legislation that SAPL has been involved with, files on the work of other animal rights groups, subject files on regional activities, photographs, publications, books, audiovisual materials, and archived web content. Materials of the organization range in date from its founding in the early 1950s to the early 2020's; other materials in the collection date back to the 1930s. The Animal Welfare Institute was created in 1951 as a non-profit, charitable organization focused on reducing the amount of suffering inflicted on animals by humans. The AWI continues to be active in these endeavors today, working to reduce animal cruelty in captive and domestic situations--including farming and laboratories--and also working to protect the rights of animals living in the wild, both on land and in the water. Less